Flavia de Luce (
spirit_of_vitriol) wrote2014-10-18 11:57 am
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they won't need no lie detector, all they'll have to do is make me look into my mother's eyes
The first weeks of class had been a whirlwind--new classes, old friends, the struggle of putting aside the summer's idleness--but Flavia had been grateful. It provided a welcome distraction, after all, from the dilemma she'd been feeling since she'd arrived at Feely's door to see the piano from Buckshaw in her living room.
Feely believed, and continued to believe, it was the only object from home in the entire city. Flavia knew that wasn't true. It hadn't even been true the very day Feely arrived.
It was why she'd returned to the art museum, to the bench still situated just in front of Vanetta Harewood's mysterious portrait, looking at each of the painted figures in turn. The tow-headed girl toting a book of fairy tales, so obviously Daphne; the swaddled infant, Flavia herself in a christening gown now surely boxed up in a closet somewhere in Buckshaw; standing to the right, a younger Ophelia, just as primly self-possessed as now, though still enough of a child to have been captured in oils, toying with a cat's cradle. Harriet, at the very center, looking over them all with bemusement and something Flavia dared to believe was love.
She should tell Feely. She should never tell Feely.
Flavia tapped out a message on her phone, jabbing her thumb down on the SEND button before she lost her nerve.
feely please come to the art museum
i'll be outside on the steps
it's important
Feely believed, and continued to believe, it was the only object from home in the entire city. Flavia knew that wasn't true. It hadn't even been true the very day Feely arrived.
It was why she'd returned to the art museum, to the bench still situated just in front of Vanetta Harewood's mysterious portrait, looking at each of the painted figures in turn. The tow-headed girl toting a book of fairy tales, so obviously Daphne; the swaddled infant, Flavia herself in a christening gown now surely boxed up in a closet somewhere in Buckshaw; standing to the right, a younger Ophelia, just as primly self-possessed as now, though still enough of a child to have been captured in oils, toying with a cat's cradle. Harriet, at the very center, looking over them all with bemusement and something Flavia dared to believe was love.
She should tell Feely. She should never tell Feely.
Flavia tapped out a message on her phone, jabbing her thumb down on the SEND button before she lost her nerve.
feely please come to the art museum
i'll be outside on the steps
it's important
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She arrives to the art museum after fixing herself up in the nearest mirror, an expansion of her vanity and also as a means to attempt to calm her nerves.
"Well, here I am. What is so important?" Ophelia asks once she spots her youngest sister, hands on her hips and a haughtiness to her tone that she doesn't quite feel.
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“I already paid admission,” she says at last, handing over a small tin lapel tag emblazoned with the art museum logo. It’s a lie; the number of people who left their tags resting on ledges or the side of trashcans make it easy for anyone to convince museum staff they’ve paid to get in, but Flavia doesn’t care. She and Feely oughtn’t have to pay to see their mother, anyway.
Getting to her feet, she turns and walks inside, trusting Feely will follow—out of exasperation, if not curiosity. She leads her sister through the lobby entrance and past one or two galleries. She stops just before the entrance to what she’s come to think of as ‘Harriet’s exhibit’, in a spot she knows affords no view of the painting inside.
“I got something from home, too,” she says, her voice quiet. “I didn’t know how to tell you about it, but if you go round the corner you can see it yourself."
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"So what's all the fuss about anyway?" Ophelia tries to keep her voice uptight and impatient; as detached as one of those debutantes in one of Daphne's novels. "I do have other things to be doing, you know." But even to her own ears, her voice falls flatter than it normally might.
She follows Flavia because her nerves refuse to settle. Each step forward seems to rattle them more; she barely acknowledges the crowds of people that pass them by as they head further into the museum.
"What exactly did you get from home?" She turns to ask Flavia as she points towards the exhibit. Ophelia's chest tightens and her feet turn into lead. She wants to move forward, but she finds that she really can't.
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“Something I can’t explain,” Flavia says. Then, hating how dramatic and unclear that had sounded, “A painting.”
“A painting I can’t explain,” she finishes. “Please just go in, Feely.”
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Darrow trapping them both together has significantly altered Ophelia's regards towards her sister; living in separate buildings brings out the worry in Ophelia. Finding her sister in several frightening circumstances has cooled the resentment within her.
And now there's something in the way she says she can't explain a painting that makes Ophelia gulp and her heart clench inside her chest.
So she moves forward, and stops before an image that could only have come from home.
"Oh," she says.
She doesn't even realize she's crying.
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"It just showed up and I didn't know what to do," she says. "I kept visiting it, hoping maybe the answer'd be there on its own, but it never was."
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As much as she taunts Flavia by holding memories of Harriet over her head, truthfully, Ophelia has trouble distinguishing her memories from her dreams. Unable to move her gaze from the portrait, she tries desperately to remember the afternoon in which they all sat down to have the painting done.
She takes a deep, shuddering breath when she realizes that she can't remember that day beyond playing with Daphne.
"I didn't realize it existed," she whispers. "I thought I was imagining the memory of sitting for it for all those years ago."
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It would be easy to remind Ophelia of these things, but all Flavia wants is for Feely to take her hands out of her pockets, so they could face this if not side-by-side, at least hand-in-hand.
“What…” she begins, then stops, surprised at the fractured way the word sounds, said aloud. “What do you remember?"
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So when Flavia asks her what she remembers, she finds herself so unguarded as to answering before she can help herself.
"It was warm out, I remember that," she says in a voice barely above a whisper. "You wouldn't stop babbling, 'like a little brook,' Mummy used to say. I don't think any of us wanted to sit still. It was too nice of a day out not to run around and play."
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“I’m sorry I didn’t tell you about this before,” she whispers, chancing the comment in the truce that seems to have formed for now between them.
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She ought to be bitter that Flavia kept this from her; kept this secret the way she's held onto Harriet's appearance her whole life. But Ophelia finds herself too drained by the day, especially happening upon this painting. She might save her ire for another occasion, but for the moment, she settles for honesty, instead.
"I don't really have any ground to stand on, do I? With all of the stuff I've kept from you over the years," she says, her tone neutral. Part of her wishes she could be angry in this moment; the rest of her is basking in the brief peace they've found between them.
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As she says the name of their missing middle sister, Flavia wishes she was here with them—even as she’s glad whatever forces operate Darrow have caused her to stay away. Daphne would’ve completed their trio, even as she formed the wedge that would push Flavia and Ophelia apart and back to the roles they’d played back home. Any other day, Flavia might’ve hated Daffy for it, but today, she almost pities her.
“I don’t even know how tall she was, or—or what she sounded like when she laughed."
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"Daffy," she says, letting out a low breath as she shakes her head, glancing up at the middle child of their family, she with the truly golden hair. She does feel an ache, not having Daphne among their numbers in Darrow. But then, with her absence, her relationship with Flavia has vastly improved. She wonders how long their fragile truce could last, if the last of the sisters were to show up. "You know, if she were here, neither of us would ever see her. She has so many books to catch up on."
"I remember her being tall," Ophelia admits. "But maybe I was just small. And I can't remember her laughter, either."
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As Feely speaks, Flavia looks at Harriet's painted figure, wishing somehow she could come alive again, even for a moment, to settle all the questions they'd never know the answers to.